Schumann and Hindemith

Violinist Frank Peter Zimmermann has graced the Berwaldhallen stage several times, and is always a welcome returnee. This time, he gives us chamber music by Paul Hindemith, and Schumann’s Fantasy for Violin and Orchestra.

Known 19th century violinist Joseph Joachim requested a solo piece by Schumann – he felt that violinists needed more opportunities to show their skills. The composer’s response was the critically acclaimed Fantasy for Violin and Orchestra. Hindemith’s Chamber Music No. 4, with the subtitle Violin Concerto, is indeed, in all the ways that matter, a solo concerto that can flourish in Zimmermann’s safe hands. There is even more Schumann when the Swedish Radio Symphony Orchestra and Daniel Harding perform his splendid revised version of Symphony No. 4 from 1851.





The Swedish Radio Symphony Orchestra is known worldwide as one of Europe’s most versatile orchestras with an exciting and varied repertoire and a constant striving to break new ground The multi-award-winning orchestra has been praised for its exceptional, wide-ranging musicianship as well as collaborations with the world’s foremost composers, conductors and soloists.

Permanent home of the Swedish Radio Symphony Orchestra since 1979 is Berwaldhallen, the Swedish Radio’s concert hall. In addition to the audience in the hall, the orchestra reaches many many listeners on the radio and the web and through it´s partnership with EBU. Several concerts are also broadcast and streamed on Berwaldhallen Play and with Swedish Television, offering the audience more opportunities to come as close as possible to one of the world’s top orchestras.

“The orchestra has a unique combination of humility, sensibility and musical imagination”, says Daniel Harding, Music Director of the Swedish Radio Symphony Orchestra since 2007. “I have never had a concert with the orchestra where they haven’t played as though their lives depended on it!”

The first radio orchestra was founded in 1925, the same year that the Swedish Radio Service began its broadcasts. The Swedish Radio Symphony Orchestra received its current name in 1967. Through the years, the orchestra has had several distinguished Music Directors. Two of them, Herbert Blomstedt and Esa-Pekka Salonen, have since been appointed Conductors Laureate.

Daniel Harding is Music and Artistic Director of the Swedish Radio Symphony Orchestra, with whom in 2022 he celebrated his 15-year anniversary. In the 2014/2015 season he devised and curated the celebrated Interplay Festival, presenting a series of concerts and related inspirational talks involving artists, academics, scientists and philosophers. As Artistic Director he continues this type of influential programming at Berwaldhallen. He is also Conductor Laureate of the Mahler Chamber Orchestra, with whom he has worked for over 20 years.

A renowned opera conductor, he has led critically acclaimed productions at the Teatro alla Scala Milan, Theater an der Wien, Wiener Staatsoper, the Royal Opera House at Covent Garden in London, and at the Aix-en-Provence and Salzburg Festivals. He continues to work regularly with the Wiener Philharmoniker, Berliner Philharmoniker, Bayerischer Rundfunk Orchestra, Royal Concertgebouw Orchestra, Filarmonica della Scala Orchestra, Dresden Staatskapelle and the London Symphony Orchestra. In 2018 he was named Artistic Director of the Anima Mundi Festival.

Daniel Harding’s tenure as Music and Artistic Director will last throughout the 2024/2025 season. “It is increasingly rare that the relationship between a conductor and an orchestra not only lasts for more than a decade, but keeps growing,” he says about working with the orchestra. “It is also rare for an orchestra of the highest musical standard to very obviously want to keep on growing.”

After playing the trumpet in his youth, he discovered conducting as a teenager. 17 years old, he led a performance of Arnold Schönberg’s Pierrot lunaire with a student ensemble, which led to assisting Simon Rattle with the City of Birmingham Symphony Orchestra for a year. His time with Rattle and the orchestra ended with Harding’s professional debut, conducting the orchestra himself.

In 2002, Harding was awarded the title Chevalier de l’Ordre des Arts et des Lettres by the French Government, and in 2017 nominated to the position Officier des Arts et des Lettres. In 2012, he was elected a member of the Royal Swedish Academy of Music. In 2021, he was appointed Commander of the Most Excellent Order of the British Empire. He is also a qualified airline pilot.

Frank Peter Zimmermann har i mer än tre decennier turnerat världen över, spelat med vår tids mest ryktbara dirigenter och största orkestrar, och gästat framstående konsertsalar och festivaler i både Europa, Nord- och Sydamerika, Asien och Australien.

Under säsongen 2023/24 turnerar han med Wienerfilharmonikerna och Daniel Harding, och kommer att ge konserter tillsammans med Harding och tre orkestrar: Concertgebouworkestern, Staatskapeller Dresden och Sveriges Radios Symfoniorkester. Han kommer även att spela med bland andra Londons Filharmoniska Orkester och Edward Gardner, Bambergs Symfoniorkester och Andrew Manze, samt Elbfilharmonins Orkester och Alan Gilbert. Dessutom ger han kammarkonserter med pianisterna Martin Helmchen och Dmytro Choni.

Zimmermann har en omfattande inspelningskatalog, varav flera både har hyllats av kritiker och belönats med flera priser. Bland de senaste kan nämnas Bohuslav Martinůs två violinkonserter med Jakub Hrůša och Bambergs Symfoniorkester; Beethovens samtliga violinsonater med pianisten Martin Helmchen; Sjostakovitjs två violinkonserter med Alan Gilbert och Elbfilharmonins Orkester; och solokonserter av Bartók, Beethoven och Berg med Berlinerfilharmonikerna och Alan Gilbert, Daniel Harding, respektive Kirill Petrenko.

Som en del av Trio Zimmermann, tillsammans med violasten Antoine Tamestit och cellisten Christian Poltéra, har han uppträtt runt om i Europa sedan 2010 och gjort prisbelönade skivinspelningar. Zimmermann själv har uruppfört solokonserter av Magnus Lindberg, Matthias Pintscher, Brett Dean och Augusta Read Thomas. Han har förärats med åtskilliga hedersutmärkelser, bland annat staden Duigsburgs musikpris 2002, Förbundsrepubliken Tysklands förtjänstkors av officersklass 2008, och staden Hanaus Paul Hindemith-pris 2010. Han spelar på en Antonio Stradivarius från 1711, ”Lady Inchiquin”, vänligen utlånad av Kunstsammlung Nordrhein-Westfalen i Düsseldorf.

Concert length: 1 h 20 min