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THIS CONCERT HAS BEEN CANCELED - THE SWEDISH RADIO CHOIR MEETS KLAUS MÄKELÄ

Many know Jean Sibelius primarily as a great symphonist. However, choral singers can also testify to the quality of his a cappella works. Klaus Mäkelä, in his first concert with the Swedish Radio Choir, interprets some of Sibelius’ most beloved choral music, as well as Pēteris Vasks’ ethereal Plainscapes.


SWEDISH RADIO CHOIR

dot 2020/2021

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Participants

 

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32 professional choristers make up the Swedish Radio Choir: a unique, dynamic instrument hailed by music-lovers and critics all over the world. The Swedish Radio Choir performs at Berwaldhallen, concert hall of the Swedish Radio, as well as on tours all over the country and the world. Also, they are heard regularly by millions of listeners on Swedish Radio P2, Berwaldhallen Play and globally through the EBU.

The award-winning Latvian conductor Kaspars Putniņš was appointed Chief Conductor of the Swedish Radio Choir in 2020. Since January 2019, its choirmaster is French orchestral and choral conductor Marc Korovitch, with responsibility for the choir’s vocal development.

The Swedish Radio Choir was founded in 1925, the same year as Sweden’s inaugural radio broadcasts, and gave its first concert in May that year. Multiple acclaimed and award-winning albums can be found in the choir’s record catalogue. Late 2023 saw the release of Kaspars Putniņš first album with the choir: Robert Schumann’s Missa sacra, recorded with organist Johan Hammarström.

Klaus Mäkelä is Chief Conductor and Artistic Advisor of the Oslo Philharmonic Orchestra. With Orchestre de Paris he assumed the role of Music Director in September 2021 and has been the orchestra’s Artistic Advisor since the start of the 2020/21 season. He is also Principal Guest Conductor of the Swedish Radio Symphony and Artistic Director of the Turku Music Festival. An exclusive Decca Classics Artist, Klaus Mäkelä has recorded the complete Sibelius Symphony cycle with the Oslo Philharmonic as his first project for the label, to be released in 2022.

Klaus Mäkelä launched the Oslo Philharmonic 2021/22 season in August with a special concert featuring Saariaho’s Asteroid 4179: Toutatis, Strauss Also sprach Zarathustra, two new works by Norwegian composer Mette Henriette and Sibelius Lemminkäinen. A similarly wide range of repertoire is presented throughout his second season in Oslo, including major choral works by Bach, Mozart and William Walton, Mahler Symphony No. 3 and Shostakovich Symphonies Nos. 10 and 14 with soloists Mika Kares and Asmik Grigorian. Recent and new works include compositions by Sally Beamish, Unsuk Chin, Jimmy Lopez, Andrew Norman and Kaija Saariaho. In Spring 2022 Klaus Mäkelä and the Oslo Philharmonic will perform the complete Sibelius Symphony cycle at the Wiener Konzerthaus and Hamburg Elbphilharmonie and give additional concerts at the Paris Philharmonie and London Barbican.

With Orchestre de Paris, Klaus Mäkelä performed at the summer festivals of Granada and Aix en Provence. For his first concert in the 2021/ 22 season he conducted a new work by Unsuk Chin entitled Spira, Richard Strauss Four Songs Op 27 with soloist Lise Davidsen and Mahler Symphony No. 1. His first season as Music Director also features the music of Ligeti and Dutilleux alongside Biber, Mozart, Mendelssohn, Brahms, Rachmaninov and Stravinsky.

In the 2021/22 season Klaus Mäkelä appears as a Portrait Artist at the Wiener Konzerthaus conducting the Wiener Symphoniker and Oslo Philharmonic and playing cello in chamber music. He also guest conducts the Chicago Symphony, Cleveland Orchestra, San Francisco Symphony, Concertgebouworkest, London Philharmonic, Symphonieorchester des Bayerischen Rundfunks and Münchner Philharmoniker. In summer 2022 he returns to the Verbier Festival to conduct the Verbier Festival and Verbier Festival Chamber orchestras as well as perform as a chamber musician. He also makes his first appearance at the Jurmala Festival in Riga with the Mariss Jansons Festival Orchestra.

In the 2020/21 season Klaus Mäkelä appeared with the Concertgebouworkest, Münchner Philharmoniker, Symphonieorchester des Bayerischen Rundfunks, NDR Elbphilharmonie, Orchestra del Maggio Musicale, Swedish Radio Symphony Orchestra, Frankfurt Radio Symphony Orchestra, Gothenburg Symphony Orchestra and Tapiola Sinfonietta. As Artist in Residence at Spain’s Granada Festival he conducted the Mahler Chamber Orchestra, Orquesta Ciudad de Granada and Orchestre de Paris. At the Verbier Festival he conducted and performed cello in a chamber music programme.

Mäkelä studied conducting at the Sibelius Academy with Jorma Panula and cello with Marko Ylönen, Timo Hanhinen and Hannu Kiiski. As a soloist, he has performed with several Finnish orchestras and as a chamber musician with members of the Oslo Philharmonic, Symphonieorchester des Bayerischen Rundfunks and Orchestre Philharmonique de Radio France.

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Julia Kretz-Larsson is the assistant first concertmaster of the Swedish Radio Symphony Orchestra since 2015. She is also a member of the chamber music ensemble Spectrum Concerts Berlin who, in addition to having their own concert series at the Berlin Phiharmonic, has performed at venues including Carnegie Hall in New York City and the Concertgebouw in Amsterdam. She is a former member of both the Lucerne Festival Orchestra and leader of the Mahler Chamber Orchestra.

She is also an active chamber musician, having performed with Janine Jansen, Isabelle Faust, Cecilia Zilliacus, Torleif Thedéen and others, and played at internationally renowned festivals in Salzburg, Utrecht and Schleswig-Holstein, as well as the Schubertiade in Voralberg and Vinterfest in Mora, Sweden. She has recorded chamber works for labels such as BIS, dB and Harmonia Mundi, and the 2018 album Amanda Maier vol. 3 was awarded a Swedish Grammy Award. As a member of the Julius Stern Piano Trio, she has won prizes at international competitions in Florence, Berlin and Trieste.

Julia Kretz-Larsson teacher violin at the Royal College of Music in Stockholm. She is a Berlin native, has studied under Professor Marianne Boettcher, under Professor Thomas Brandis at the Berlin University of the Arts, and in Prague for Josef Suk.

Programme

Approximate timings

Soloists: Jennie Eriksson Nordin, soprano & Karl Söderström, bass

Apart from the seven unearthly poems and several equally delightful symphonic poems, the Finnish composer Jean Sibelius wrote many choral works. Choral music was a common thread throughout his life. He wrote his first choral songs in the 1880s, when he was studying composition at the Helsinki academy of music (later the Sibelius Academy). He wrote his last songs in 1954, at the age of 89.

 

After his success with his first major choral work, Venematka, in 1893, he went on the following year to compose his potentially most ground-breaking and most frequently performed a capella work, Rakastava. The text is taken from the first volume of Kanteletar, a collection of lyrical, epic folk poems and ballads, a companion work to the national epic of Finland, Kalevala, both by the Finnish author Elias Lönnrot.

 

To a contemporary listener, the music is light on the ear, but together with Venematka, Rakastava was at the time an important gateway to an entirely new era in Finnish choral music. They were technically difficult and overwhelmingly modern ¬– almost strange. One critic wrote: “Sibelius’s songs are very strange. The first time you hear them you can hardly make them out, although on closer examination you find a great deal of beauty. […] But most beautiful of all is Rakastava, despite some odd and impudent harmonies that you are tempted to assume are misprints.”

 

Like many of Sibelius’s choral works from the 1890s, Rakastava was originally written for man’s choir. Five years later, in 1898, Sibelius rearranged the piece for mixed choir, and in 1911 he created an instrumental version for string orchestra. The year 1898 was also when five of his works for mixed choir were published in a volume entitled Sävelistö, kaikuja laulustamme (roughly translated as A collection of melodies, echoes of our singing), among them was Rakastava.

 

Hedvig Ljungar

Approximate duration: 40 mins