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DVOŘÁK SYMPHONY NO 9 – FROM THE NEW WORLD

In one of Dvořák’s most played and beloved works, the symphony he wrote during his years in the United States, he lets the Czech musical tradition meet Native American influences, here interpreted by the acclaimed conductor Elim Chan. Elizabeth Ogonek’s intense piece In Silence was inspired by baroque composer Heinrich Ignaz von Biber, and written for violinist Benjamin Beilman, who visits the Swedish Radio Symphony Orchestra for the first time.

The concert will be broadcasted on the Swedish Radio P2 on November 11 at 7.03 pm.


SWEDISH RADIO SYMPHONY ORCHESTRA
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Participants

 

The Swedish Radio Symphony Orchestra is known worldwide as one of Europe’s most versatile orchestras with an exciting and varied repertoire and a constant striving to break new ground The multi-award-winning orchestra has been praised for its exceptional, wide-ranging musicianship as well as collaborations with the world’s foremost composers, conductors and soloists.

Permanent home of the Swedish Radio Symphony Orchestra since 1979 is Berwaldhallen, the Swedish Radio’s concert hall. In addition to the audience in the hall, the orchestra reaches many many listeners on the radio and the web and through it´s partnership with EBU. Several concerts are also broadcast and streamed on Berwaldhallen Play and with Swedish Television, offering the audience more opportunities to come as close as possible to one of the world’s top orchestras.

“The orchestra has a unique combination of humility, sensibility and musical imagination”, says Daniel Harding, Music Director of the Swedish Radio Symphony Orchestra since 2007. “I have never had a concert with the orchestra where they haven’t played as though their lives depended on it!” The orchestra is also proud to have Klaus Mäkelä as its Principal Guest Conductor since 2018.

During the COVID-19 pandemic, the Swedish Radio Symphony was one of the only orchestras in the world which never stopped playing.  Its innovative and creative approach to making music in these dark times helped its public to cope and even made the news itself.

The first radio orchestra was founded in 1925, the same year that the Swedish Radio Service began its broadcasts. The Swedish Radio Symphony Orchestra received its current name in 1967. Through the years, the orchestra has had several distinguished Music Directors. Two of them, Herbert Blomstedt and Esa-Pekka Salonen, have since been appointed Conductors Laureate, as well as Valery Gergiev, a regular guest conductor and co-founder of the Baltic Sea Festival.

Julia Kretz-Larsson, violin, has studied with Marianne Boettcher and Thomas Brandis in Berlin and with Josef Suk in Prague. With the Julius Stern Piano Trio, she has won various awards at international competitions. She is a member of the chamber music ensemble Spectrum Concerts Berlin, which has its own concert series in the Berliner Philharmonie Kammermusiksaal and with which she also played in halls such as Carnegie Hall in New York and Concertgebouw Amsterdam. In 2006, Julia Kretz-Larsson became a member of the Lucerne Festival Orchestra, led by Claudio Abbado, and since 2008 she has been a member of the Mahler Chamber Orchestra, from 2011 as conductor. Julia has been the alternate first concertmaster in the Swedish Radio Symphony Orchestra since 2015 and is a teacher at the Royal Academy of Music in Stockholm.Julia has regularly played chamber music concerts with several international artists and has performed at festivals such as the Salzburger Festspiele, the International Chamber Music Festival Utrecht, Julian Rachlin and Friends, Schubertiade, the Schleswig-Holstein Music Festival and the Winter Festival. She has recorded chamber music for, among others, BIS, NAXOS, dB Productions, Harmonia Mundi and has won the music award ” Grammis” for the recording with music by Amanda Maier.

American violinist Benjamin Beilman is winning plaudits across the globe for his compelling and impassioned performances, his deep rich tone and searing lyricism. He studied with Almita and Roland Vamos at the Music Institute of Chicago, Ida Kavafian and Pamela Frank at the Curtis Institute of Music, and Christian Tetzlaff at the Kronberg Academy.

Beilman has received several prestigious awards, including a Borletti-Buitoni Trust Fellowship, an Avery Fisher Career Grant, and a London Music Masters Award. In 2010, he won First Prize in the Young Concert Artists International Auditions and First Prize at the 2010 Montréal International Musical Competition, as well as the People’s Choice Award. Beilman recorded Prokofiev’s complete sonatas for violin on the Analekta label in 2011. In 2016, he released his first disc for Warner Classics titled Spectrum, featuring works by Stravinsky, Janacek, and Schubert.

In past seasons, Beilman has performed with many major orchestras worldwide including the Rotterdam Philharmonic, London Philharmonic, Frankfurt Radio Symphony, Zurich Tonhalle, Sydney Symphony, San Francisco Symphony, Houston Symphony and Philadelphia Orchestra both at home and at Carnegie Hall.

Beilman plays the “Engleman” Stradivarius from 1709 generously on loan from the Nippon Music Foundation.

Approximate concert lenght: 1 hour 30 minutes including intermission