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Season finale with Hardenberger & Harding

Håkan Hardenberger, the best trumpet player in the galaxy according to The Times, has performed with leading orchestras worldwide. He returns to Berwaldhallen with Sir Harrison Birtwistle’s trumpet concerto Endless Parade, written for Hardenberger in connection with the first performance of the work in Zürich in 1987. The programme also includes two works by Antonín Dvořák. He wrote the life-affirming Symphony No. 8 before leaving for “the new world”. The overture In Nature’s Realm is a musical landscape painting of the composer’s hometown of Vysoká, where he composed his music surrounded by the sounds of nature.


SWEDISH RADIO SYMPHONY ORCHESTRA
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Sveriges Radios Symfoniorkester. Foto: Julian Hargreaves.

The Swedish Radio Symphony Orchestra is known worldwide as one of Europe’s most versatile orchestras with an exciting and varied repertoire and a constant striving to break new ground The multi-award-winning orchestra has been praised for its exceptional, wide-ranging musicianship as well as collaborations with the world’s foremost composers, conductors and soloists.

Permanent home of the Swedish Radio Symphony Orchestra since 1979 is Berwaldhallen, the Swedish Radio’s concert hall. In addition to the audience in the hall, the orchestra reaches many many listeners on the radio and the web and through it´s partnership with EBU. Several concerts are also broadcast and streamed on Berwaldhallen Play and with Swedish Television, offering the audience more opportunities to come as close as possible to one of the world’s top orchestras.

“The orchestra has a unique combination of humility, sensibility and musical imagination”, says Daniel Harding, Music Director of the Swedish Radio Symphony Orchestra since 2007. “I have never had a concert with the orchestra where they haven’t played as though their lives depended on it!” The orchestra is also proud to have Klaus Mäkelä as its Principal Guest Conductor since 2018.

During the COVID-19 pandemic, the Swedish Radio Symphony was one of the only orchestras in the world which never stopped playing.  Its innovative and creative approach to making music in these dark times helped its public to cope and even made the news itself.

The first radio orchestra was founded in 1925, the same year that the Swedish Radio Service began its broadcasts. The Swedish Radio Symphony Orchestra received its current name in 1967. Through the years, the orchestra has had several distinguished Music Directors. Two of them are Herbert Blomstedt and Esa-Pekka Salonen.

Daniel Harding is Music and Artistic Director of the Swedish Radio Symphony Orchestra. He is also Artistic Director of the Anima Mundi Festival in Pisa and Conductor Laureate of the Mahler Chamber Orchestra, with whom he has worked for more than 20 years. He is one of few conductors regularly invited to conduct the world’s foremost orchestras, including the Berliner Philharmoniker, Royal Concergebouw Orchestra and Wiener Philharmoniker, and additionally a qualified airline pilot.

A renowned opera conductor, he has led acclaimed productions at Teatro alla Scala in Milan, Theater an der Wien, London’s Royal Opera House and at the Salzburg and Aix-en-Provence Festivals. He has made a great number of recordings, including Grammy Award-winning Billy Budd with the London Symphony Orchestra and Beethoven’s Piano Concertos No. 3 and 4 with the Swedish Radio Symphony Orchestra and Maria João Pires.

Harding’s contract as music director extends through the 2024-2025  season. In 2019, he also accepted a new role as the orchestra’s first artistic director with an overall responsibility for the orchestra’s artistic vision. This expanded role also includes the opportunity to create brand new types of concert programmes and ways to present classical music in creative ways.

“It is increasingly rare for the relationship between a conductor and an orchestra not only lasts for more than a decade, but keeps growing”, Daniel Harding says about working with the orchestra. “It is also rare for an orchestra of the highest musical standard also very obviously want to keep on growing.”

Harding started out playing the trumpet, but in his teens, the interest in conducting took over. 17 years old, he led a performance of Schönberg’s Pierrot Lunaire with a student ensemble. This led to a job assisting Simon Rattle with the City of Birmingham Symphony Orchestra for a year. The time with Rattle and the orchestra ended with Harding’s professional debut, conducting the orchestra himself.

In 2002 Daniel was awarded the title Chevalier de l’Ordre des Arts et des Lettres by the French Government and in 2017 nominated to the position Officier Arts et Lettres. In 2012, he was elected a member of The Royal Swedish Academy of Music. He is a qualified airline pilot.

Malin Broman is First Concertmaster of the Swedish Radio Symphony Orchestra, and an internationally sought-after soloist, having visited the Academy of St Martin in the Fields, the BBC Scottish Symphony Orchestra, the Copenhagen Philharmonic, and the Gothenburg Symphony, among others. She has been Artistic Director of Musica Vitae since 2015, and succeeded Sakari Oramo as Artistic Director of the Ostrobothnian Chamber Orchestra in 2019. She has also been the Artistic Director of the Trondheim Soloists, Oulu Symphony Orchestra, the Gävle Symphony Orchestra, and the ACO Collective – the Australian Chamber Orchestra’s string ensemble.

Over the last few years, Broman has performed world premieres of violin concertos by Helen Grime, Britta Byström, Andrea Tarrodi and Daniel Nelson, and recorded both Carl Nielsen’s and Britta Byström’s concertos. Her recording of Mendelssohn’s double concerto for violin and piano with Musica Vitae and Simon Crawford Phillips was nominated for a Grammy in 2019. She has also made many recordings with celebrated ensemble the Kungsbacka Piano Trio. In the spring of 2020, Broman filmed a noted recording of her playing all eight parts of Felix Mendelssohn’s string octet.

Malin Broman is a member of the Royal Swedish Academy of Music, and Professor of Viola at the Edsbergs Institute of Music. In the spring of 2019, she was awarded H.M. the King’s eighth size medal for her considerable contributions to the Swedish music industry. She plays a Stradivarius violin from 1709 and a Bajoni viola from 1861, borrowed from the Järnåker Foundation.

Håkan Hardenberger. Foto: Marco Borggreve.

Håkan Hardenberger is one of the world’s leading soloists, consistently recognized for his phenomenal performances and tireless innovation. Alongside his performances of the classical repertory, he is also renowned as a pioneer of significant and virtuosic new trumpet works.

Hardenberger performs with the world’s foremost orchestras, including the New York Philharmonic, Wiener Philharmoniker, Swedish Radio Symphony Orchestra, Berliner Philharmoniker and London Symphony Orchestra. Conductors he regularly collaborates with include Martyn Brabbins, Péter Eötvös, Alan Gilbert, Daniel Harding, Ingo Metzmacher, Andris Nelsons, Sakari Oramo, Jukka-Pekka Saraste and John Storgårds.
The works written for and championed by Hardenberger stand as key highlights in the repertory and include those by Sir Harrison Birtwistle, Brett Dean, Hans Werner Henze, Steven Mackey, Olga Neuwirth, Arvo Pärt, Toru Takemitsu, Mark-Anthony Turnage, Rolf Wallin and HK Gruber’s concerto Aerial, which has received its 70th performance with the Berliner Philharmoniker in 2015.

In summer 2017, Hardenberger returns to the Tanglewood Music Festival, this time for an educational focus featuring collaborations with Boston Symphony Orchestra musicians and Tanglewood Music Centre Fellows. He is the celebrity Resident Artist of the new Klosters Summer Music Festival in Switzerland. In 2017/2018 he continues his residency with Orchestre Philharmonique de Radio France, which showcases him as soloist and a conductor. In January 2018 he leads HK Gruber’s 75th birthday festivities at the Konzerthaus Vienna, performing his first trumpet concerto Aerial. He returns to Vienna for a performance at the Musikverein celebrating B.A.Zimmermann’s centenary. He also works with the Gewandhausorchester Leipzig, Deutsches Symphonie-Orchester Berlin, BBC Symphony Orchestra, Swedish Radio and Danish National Symphony Orchestra as well as Helsinki and Seoul Philharmonic Orchestras.

Conducting is an integral part of Hardenberger’s music making. He conducts orchestras such as BBC Philharmonic, Saint Paul and Swedish Chamber Orchestras, Dresden Philharmonic, RTÉ National Symphony Dublin, Orquesta Sinfónica de Euskadi and Malmö Symphony Orchestra. Duo partnerships include pianist Roland Pöntinen and percussionist Colin Currie, with whom he performs a new duo work by Brett Dean this season in Malmö, Aldeburgh, Wimbledon and Bergen. He is Artistic Director of the Malmö Chamber Music Festival.

His extensive discography on the Philips, EMI, Deutsche Grammophon and BIS labels includes his latest recording with Gothenburg Symphony Orchestra/ John Storgårds of Brett Dean’s and Luca Francesconi’s trumpet concertos. His catalogue features the Academy of St Martin in the Fields with arrangements of popular melodies, a Gruber and Schwertsik CD with Swedish Chamber Orchestra (BIS) and a Wallin recording with Bergen Philharmonic Orchestra (Ondine).
Hardenberger was born in Malmö, Sweden. He began studying the trumpet at the age of eight with Bo Nilsson in Malmö and continued his studies at the Paris Conservatoire, with Pierre Thibaud, and in Los Angeles with Thomas Stevens. He is a professor at the Malmö Conservatoire.

Approximate concert length: 1 hour 55 minutes (with intermission)