Loneliness, desire and the thirst for love. Carefully selected music by American composers, hand-picked by Ragnar Bohlin, director of the San Francisco Symphony Chorus. Following the success of Jacob Mühlrad’s Kaddish, the Swedish Radio Choir premieres his new work, Time. Four contemporary composers, four different soundscapes. Mühlrad’s Time is a co-order of the Swedish Radio Choir, WDR Rundfunkchor Cologne, Capella SF, US and Tapiola Chamber Choir Espoo in Finland.
Listen to conductor Ragnar Bohlin talking about Saturday´s concert:
Throughout his entire career, Eric Ericson was known for being curious about everything that was new and untried. He introduced musical styles, repertoires and not least composers and works that were not previously known to the public. In other words, this concert presents music in the spirit of Eric Ericson: three relatively unknown composers and one première. The concert’s conductor, Ragnar Bohlin, was a student of Ericson’s at the Royal College of Music in Stockholm. Since 2007, Bohlin has established himself as a choirmaster in the United States and is the chief conductor of the San Francisco Symphony Chorus.
Stacy Garrop, born and educated in the United States, was for a long time affiliated with the University of Chicago but is now a freelance composer. She has written symphonic music, choral music, chamber music and recently received a commission for an opera. The poet Carl Sandburg frequently writes about the best and the worst in humanity. In the poem “At a Window” he brings out his gentler side and writes about love. The first line, Give Me Hunger, has also lent its name to Garrop’s composition. Here, he rails at the gods about pain, hunger and failure but appeals to them to also have a little love, a voice to speak to, a hand to hold, a star to love.
In the summer of 2017, Mason Bates’s opera, The (R)evolution of Steve Jobs, about Apple’s legendary founder, had its successful première at the Santa Fé Opera. Bates is one of his generation’s most accomplished composers and Composer-in-Residence at the Kennedy Center, Washington. In his choral work Sirens, he has used text from such diverse sources as the Bible, Heinrich Heine and the Odyssey. The work is about the sirens from Greek mythology who tempted seamen and can be seen as an image of the sea with its treacherous tranquillity that conceals dangers like storms and rocks. Similarly, the music depicts the different aspects of the ocean.
The composer, choirmaster and music researcher Eric Banks received a scholarship to study in Stockholm and worked with, among others, the Swedish Radio Choir and Eric Ericson’s chamber choir. In 2010, he received a commission for a cantata about climate change that resulted in the work This Delicate Universe. The text is from the Greek poet Constantine Cavafy, by whom Banks has long been fascinated. In this five-movement choral work, five different universes are portrayed: Art, home, nature, love and eternity.
Jacob Mühlrad met with the Swedish Radio Choir for the first time in 2014. Since then, they have collaborated on numerous occasions, most recently in 2017, when the choral work Kaddish was performed at Berwaldhallen. In his new work Time, Mühlrad translated the word ‘time’ into more than 60 different languages: “The word is abstracted and repeated so many times and in so many different languages that the ear’s focus gradually shifts from the meaning of the word to the way it sounds. The work is like a rite that puts people in a certain state in a way that only music can do.”
Text: Evabritt Selén
For more than 90 years, the Swedish Radio Choir has contributed to the development of the Swedish a cappella tradition. Under the leadership of legendary conductor Eric Ericson, the choir earned great international renown. It is still hailed as one of the best choirs in the world. The choir members’ ability to switch between powerful solo performances and seamlessly integrating themselves in the ensemble creates a unique and dynamic instrument praised by critics and music lovers alike, as well as by the many guest conductors who explore and challenge the choir’s possibilities.
Permanent home of the Swedish Radio Choir since 1979 is Berwaldhallen, the Swedish Radio’s concert hall. In addition to the seated audience, the choir reaches millions of listeners on the radio and the web through Klassiska konserten i P2. Several concerts are also broadcast and streamed on Berwaldhallen Play, offering the audience more opportunities to come as close as possible to one of the world’s top choirs.
With the 2020–2021 season, Kaspars Putniņš begins his tenure as the tenth Music Director of the Swedish Radio Choir. Since January 2019, Marc Korovitch is the choirmaster of the Swedish Radio Choir with responsibility for the ensemble’s continued artistic development. Two of the orchestra’s former Music Directors, Tõnu Kaljuste and Peter Dijkstra, were appointed Conductors Laureate in November 2019. Both maintain a close relationship with the choir and make regular guest appearances.
The Swedish Radio Choir was founded the same year as the Swedish Radio Service began its broadcasts and the choir had its first concert in May 1925. Right from the start, the choir had high ambitions with a conscious aim to perform contemporary music.