BRAHMS' VIOLIN CONCERTO
According to 19th-century violin virtuoso Joseph Joachim, Brahms’ violin concerto was one of the few that could compete with that of Beethoven. Here, Leonidas Kavakos interprets it with great skill and warmth. Additionally, the Swedish Radio Symphony Orchestra and Music Director Daniel Harding perform Antonín Dvořák’s mighty final symphony, From the New World.
The concert was broadcasted on Berwaldhallen Play and Swedish Radio P2.
The Swedish Radio Symphony Orchestra is known worldwide as one of Europe’s most versatile orchestras with an exciting and varied repertoire and a constant striving to break new ground The multi-award-winning orchestra has been praised for its exceptional, wide-ranging musicianship as well as collaborations with the world’s foremost composers, conductors and soloists.
Permanent home of the Swedish Radio Symphony Orchestra since 1979 is Berwaldhallen, the Swedish Radio’s concert hall. In addition to the audience in the hall, the orchestra reaches many many listeners on the radio and the web and through it´s partnership with EBU. Several concerts are also broadcast and streamed on Berwaldhallen Play and with Swedish Television, offering the audience more opportunities to come as close as possible to one of the world’s top orchestras.
“The orchestra has a unique combination of humility, sensibility and musical imagination”, says Daniel Harding, Music Director of the Swedish Radio Symphony Orchestra since 2007. “I have never had a concert with the orchestra where they haven’t played as though their lives depended on it!”
The first radio orchestra was founded in 1925, the same year that the Swedish Radio Service began its broadcasts. The Swedish Radio Symphony Orchestra received its current name in 1967. Through the years, the orchestra has had several distinguished Music Directors. Two of them, Herbert Blomstedt and Esa-Pekka Salonen, have since been appointed Conductors Laureate.
For more than 90 years, the Swedish Radio Choir has contributed to the development of the Swedish a cappella tradition. Under the leadership of legendary conductor Eric Ericson, the choir earned great international renown. It is still hailed as one of the best choirs in the world. The choir members’ ability to switch between powerful solo performances and seamlessly integrating themselves in the ensemble creates a unique and dynamic instrument praised by critics and music lovers alike, as well as by the many guest conductors who explore and challenge the choir’s possibilities.
Permanent home of the Swedish Radio Choir since 1979 is Berwaldhallen, the Swedish Radio’s concert hall. In addition to the seated audience, the choir reaches millions of listeners on the radio and the web through Klassiska konserten i P2. Several concerts are also broadcast and streamed on Berwaldhallen Play, offering the audience more opportunities to come as close as possible to one of the world’s top choirs.
With the 2020–2021 season, Kaspars Putniņš begins his tenure as the tenth Music Director of the Swedish Radio Choir. Since January 2019, Marc Korovitch is the choirmaster of the Swedish Radio Choir with responsibility for the ensemble’s continued artistic development. Two of the orchestra’s former Music Directors, Tõnu Kaljuste and Peter Dijkstra, were appointed Conductors Laureate in November 2019. Both maintain a close relationship with the choir and make regular guest appearances.
The Swedish Radio Choir was founded the same year as the Swedish Radio Service began its broadcasts and the choir had its first concert in May 1925. Right from the start, the choir had high ambitions with a conscious aim to perform contemporary music.
Daniel Harding is Music and Artistic Director of the Swedish Radio Symphony Orchestra. He is also Artistic Director of the Anima Mundi Festival in Pisa and Conductor Laureate of the Mahler Chamber Orchestra, with whom he has worked for more than 20 years. He is one of few conductors regularly invited to conduct the world’s foremost orchestras, including the Berliner Philharmoniker, Royal Concergebouw Orchestra and Wiener Philharmoniker, and additionally a qualified airline pilot.
A renowned opera conductor, he has led acclaimed productions at Teatro alla Scala in Milan, Theater an der Wien, London’s Royal Opera House and at the Salzburg and Aix-en-Provence Festivals. He has made a great number of recordings, including Grammy Award-winning Billy Budd with the London Symphony Orchestra and Beethoven’s Piano Concertos No. 3 and 4 with the Swedish Radio Symphony Orchestra and Maria João Pires.
Harding’s contract as music director extends through the 2024-2025 season. In 2019, he also accepted a new role as the orchestra’s first artistic director with an overall responsibility for the orchestra’s artistic vision. This expanded role also includes the opportunity to create brand new types of concert programmes and ways to present classical music in creative ways.
“It is increasingly rare for the relationship between a conductor and an orchestra not only lasts for more than a decade, but keeps growing”, Daniel Harding says about working with the orchestra. “It is also rare for an orchestra of the highest musical standard also very obviously want to keep on growing.”
Harding started out playing the trumpet, but in his teens, the interest in conducting took over. 17 years old, he led a performance of Schönberg’s Pierrot Lunaire with a student ensemble. This led to a job assisting Simon Rattle with the City of Birmingham Symphony Orchestra for a year. The time with Rattle and the orchestra ended with Harding’s professional debut, conducting the orchestra himself.
In 2002 Daniel was awarded the title Chevalier de l’Ordre des Arts et des Lettres by the French Government and in 2017 nominated to the position Officier Arts et Lettres. In 2012, he was elected a member of The Royal Swedish Academy of Music. He is a qualified airline pilot.
Sam Evans will conduct Anton Bruckner´s Christus factus est. Evans´participation is made possible by “Momentum Project: Our Future, Now”. Momentum is an initiative driven by leading international artists supporting younger professional colleagues in the first substantial phase of their career, and created by Barbara Hannigan. The Momentum model is an urgent artistic and human response to the situation caused by the 2020 pandemic, yet devised with long-term staying power.
Approximate duration: 2 hrs 20 mins incl. intermission
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