Borisova-Ollas and Tchaikovsky
This spring at Berwaldhallen, discover Victoria Borisova-Ollas! Global star Martin Fröst performs her critically acclaimed Clarinet Concerto, a piece inspired by ancient Egypt, with the Swedish Radio Symphony Orchestra.
The title of the concerto, Golden Dances of the Pharaohs, reveals the background of the piece: we have gotten to know the remnants of the powerful Egypt, but their sounds have been lost in time. What did their voices sound like? What about their music and dances? Mendelssohn wrote concert overture Meeresstille and Glückliche Fahrt to two poems by Goethe at the age of 19, and gives the image of a calm and sultry, but successful sailing trip. Tchaikovsky depicts the destiny of the unhappily in love Francesca da Rimini, described by Dante in The Divine Comedy.
The Swedish Radio Symphony Orchestra is one of Europe’s most versatile orchestras, with a worldwide reputation and a repertoire that combines the major classical works as well as exciting new music. In collaboration with the most important conductors, soloists and composers, there is a constant striving to break new ground. The orchestra’s extensive and high-quality music-making has been rewarded with numerous prizes and accolades and they regularly perform at international festivals and concert halls. “The orchestra has a unique combination of humility, sensibility and musical imagination”, says Daniel Harding, chief conductor of the Swedish Radio Symphony Orchestra. “I have never had a concert with the orchestra where they haven’t played as though their lives depended on it!” he continues. The first radio orchestra was formed in 1925, the same year that the Swedish Radio Service began its broadcasts and since then the orchestra’s concerts have always been broadcast by the Swedish Radio. The Swedish Radio Symphony Orchestra received its current name in 1967 and over the years has had such distinguished chief conductors as Sergiu Celibidache, Herbert Blomstedt and Esa-Pekka Salonen.
Martin Fröst is one the most eminent virtuosos of his instrument. He performs all over the globe, not only with the traditional repertoire but also with works written specially for him. He is currently continuing his artistic collaboration with the Saint Paul Chamber Orchestra in Minnesota and will be launching the Retropia project, a sequel to the critically acclaimed Genesis. Fröst is also Artist-in-Residence at L’Auditori in Barcelona, a position he previously held at Concertgebouw in Amsterdam and at London’s Wigmore Hall. Beginning in the autumn of 2019, Martin Fröst will be the chief conductor of the Swedish Chamber Orchestra.