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HARDING IN MOZART'S REQUIEM

Berwaldhallen’s third concert of the season with Chief Conductor Daniel Harding, where the Swedish Radio Symphony Orchestra and the Radio Choir interpret Mozart’s very last piece – his tremblingly beautiful Requiem. We’ll also hear Johannes Brahms’ Symphony No. 4 – a tempestuous piece that begins suddenly, ‘in medias res’, as if the listener opened a door to the music, where the orchestra was already playing in full swing.

The concert will be broadcasted on Swedish Radio P2 , Mozart’s Requiem will be streamed on Berwaldhallen Play on October 1 at 7.03 pm.


SWEDISH RADIO SYMPHONY ORCHESTRA dot SWEDISH RADIO CHOIR
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Elisabeth Kulman, mezzo, replaces Svetlina Stoyanova.

Participants

 

Sveriges Radios Symfoniorkester. Foto: Julian Hargreaves.

The Swedish Radio Symphony Orchestra is known worldwide as one of Europe’s most versatile orchestras with an exciting and varied repertoire and a constant striving to break new ground The multi-award-winning orchestra has been praised for its exceptional, wide-ranging musicianship as well as collaborations with the world’s foremost composers, conductors and soloists.

Permanent home of the Swedish Radio Symphony Orchestra since 1979 is Berwaldhallen, the Swedish Radio’s concert hall. In addition to the audience in the hall, the orchestra reaches many many listeners on the radio and the web and through it´s partnership with EBU. Several concerts are also broadcast and streamed on Berwaldhallen Play and with Swedish Television, offering the audience more opportunities to come as close as possible to one of the world’s top orchestras.

“The orchestra has a unique combination of humility, sensibility and musical imagination”, says Daniel Harding, Music Director of the Swedish Radio Symphony Orchestra since 2007. “I have never had a concert with the orchestra where they haven’t played as though their lives depended on it!” The orchestra is also proud to have Klaus Mäkelä as its Principal Guest Conductor since 2018.

During the COVID-19 pandemic, the Swedish Radio Symphony was one of the only orchestras in the world which never stopped playing.  Its innovative and creative approach to making music in these dark times helped its public to cope and even made the news itself.

The first radio orchestra was founded in 1925, the same year that the Swedish Radio Service began its broadcasts. The Swedish Radio Symphony Orchestra received its current name in 1967. Through the years, the orchestra has had several distinguished Music Directors. Two of them are Herbert Blomstedt and Esa-Pekka Salonen.

Radiokören. Foto: Mattias Ahlm.

For more than 90 years, the Swedish Radio Choir has contributed to the development of the Swedish a cappella tradition. Under the leadership of legendary conductor Eric Ericson, the choir earned great international renown. It is still hailed as one of the best choirs in the world. The choir members’ ability to switch between powerful solo performances and seamlessly integrating themselves in the ensemble creates a unique and dynamic instrument praised by critics and music lovers alike, as well as by the many guest conductors who explore and challenge the choir’s possibilities.

Permanent home of the Swedish Radio Choir since 1979 is Berwaldhallen, the Swedish Radio’s concert hall. In addition to the seated audience, the choir reaches millions of listeners on the radio and the web through Klassiska konserten i P2. Several concerts are also broadcast and streamed on Berwaldhallen Play, offering the audience more opportunities to come as close as possible to one of the world’s top choirs.

With the 2020–2021 season, Kaspars Putniņš begins his tenure as the tenth Music Director of the Swedish Radio Choir. Since January 2019, Marc Korovitch is the choirmaster of the Swedish Radio Choir with responsibility for the ensemble’s continued artistic development. Two of the orchestra’s former Music Directors, Tõnu Kaljuste and Peter Dijkstra, were appointed Conductors Laureate in November 2019. Both maintain a close relationship with the choir and make regular guest appearances.

The Swedish Radio Choir was founded the same year as the Swedish Radio Service began its broadcasts and the choir had its first concert in May 1925. Right from the start, the choir had high ambitions with a conscious aim to perform contemporary music.

Daniel Harding is Music and Artistic Director of the Swedish Radio Symphony Orchestra. He is also Artistic Director of the Anima Mundi Festival in Pisa and Conductor Laureate of the Mahler Chamber Orchestra, with whom he has worked for more than 20 years. He is one of few conductors regularly invited to conduct the world’s foremost orchestras, including the Berliner Philharmoniker, Royal Concergebouw Orchestra and Wiener Philharmoniker, and additionally a qualified airline pilot.

A renowned opera conductor, he has led acclaimed productions at Teatro alla Scala in Milan, Theater an der Wien, London’s Royal Opera House and at the Salzburg and Aix-en-Provence Festivals. He has made a great number of recordings, including Grammy Award-winning Billy Budd with the London Symphony Orchestra and Beethoven’s Piano Concertos No. 3 and 4 with the Swedish Radio Symphony Orchestra and Maria João Pires.

Harding’s contract as music director extends through the 2024-2025  season. In 2019, he also accepted a new role as the orchestra’s first artistic director with an overall responsibility for the orchestra’s artistic vision. This expanded role also includes the opportunity to create brand new types of concert programmes and ways to present classical music in creative ways.

“It is increasingly rare for the relationship between a conductor and an orchestra not only lasts for more than a decade, but keeps growing”, Daniel Harding says about working with the orchestra. “It is also rare for an orchestra of the highest musical standard also very obviously want to keep on growing.”

Harding started out playing the trumpet, but in his teens, the interest in conducting took over. 17 years old, he led a performance of Schönberg’s Pierrot Lunaire with a student ensemble. This led to a job assisting Simon Rattle with the City of Birmingham Symphony Orchestra for a year. The time with Rattle and the orchestra ended with Harding’s professional debut, conducting the orchestra himself.

In 2002 Daniel was awarded the title Chevalier de l’Ordre des Arts et des Lettres by the French Government and in 2017 nominated to the position Officier Arts et Lettres. In 2012, he was elected a member of The Royal Swedish Academy of Music. He is a qualified airline pilot.

Malin Broman is First Concertmaster of the Swedish Radio Symphony Orchestra, and an internationally sought-after soloist, having visited the Academy of St Martin in the Fields, the BBC Scottish Symphony Orchestra, the Copenhagen Philharmonic, and the Gothenburg Symphony, among others. She has been Artistic Director of Musica Vitae since 2015, and succeeded Sakari Oramo as Artistic Director of the Ostrobothnian Chamber Orchestra in 2019. She has also been the Artistic Director of the Trondheim Soloists, Oulu Symphony Orchestra, the Gävle Symphony Orchestra, and the ACO Collective – the Australian Chamber Orchestra’s string ensemble.

Over the last few years, Broman has performed world premieres of violin concertos by Helen Grime, Britta Byström, Andrea Tarrodi and Daniel Nelson, and recorded both Carl Nielsen’s and Britta Byström’s concertos. Her recording of Mendelssohn’s double concerto for violin and piano with Musica Vitae and Simon Crawford Phillips was nominated for a Grammy in 2019. She has also made many recordings with celebrated ensemble the Kungsbacka Piano Trio. In the spring of 2020, Broman filmed a noted recording of her playing all eight parts of Felix Mendelssohn’s string octet.

Malin Broman is a member of the Royal Swedish Academy of Music, and Professor of Viola at the Edsbergs Institute of Music. In the spring of 2019, she was awarded H.M. the King’s eighth size medal for her considerable contributions to the Swedish music industry. She plays a Stradivarius violin from 1709 and a Bajoni viola from 1861, borrowed from the Järnåker Foundation.

Born in in the small town of Piet Retief, South African soprano Pretty Yende has risen to the top of the opera world with unparalleled speed. Since making her professional operatic debut at the Latvian National Theatre in Riga as Micaela in Carmen, she has been seen at nearly all of the major theaters of the world, including the Royal Opera House, Covent Garden, Opéra National de Paris, Metropolitan Opera, Teatro alla Scala in Milan, Deutsche Oper Berlin, Staatsoper Berlin, Bayerische Staatsoper in Munich, Opernhaus Zürich and Gran Teatre del Liceu in Barcelona.

Andrew Staples is an acclaimed and versatile singer who sings regularly with conductors such as Simon Rattle, Daniel Harding and Yannick Nézet-Séguin and orchestras including the Berliner Philharmoniekr, Rotterdam Philharmonic, London Symphony Orchestra and Wiener Philharmoniker. He has made several lauded performances in Berwaldhallen, including Bach’s St Matthew Passion with Alan Gilbert during the Baltic Sea Festival 2019 and Elgar’s The Dream of Gerontius conducted by Daniel Harding the same autumn. In opera, he is a regular guest at the Royal Opera House in London where he has sung Tamino in Die Zauberflöte, Flammand in Capriccio, Narraboth in Salome and Artabanes in Artaxerxes.

In December 2019, Staples made a strong debut at the Metropolitan Opera as Andres in Berg’s Wozzeck. A month later he was praised once again, when he on short notice was summoned for Mahler’s Das Lied von der Erde with Gustavo Dudamel and the New York Philharmonic. He has recorded several large works such as John Adams’ Doctor Atomic, Edward Elgar’s The Dream of Gerontius and Bohuslav Martinů’s The Epic of Gilgamesh. Staples is also a multifaceted director, from staging classics like Così fan tutte and La bohème in London to Handel’s Dido and Aeneas in a dance club with Kiez Oper in Berlin, as well as a production for the Choir of London interweaving Britten’s classic Hymn to St Cecilia with depositions from Palestinian detainees. In the winter of 2021 Staples made the film Siegfried Idyll in collaboration with the Swedish Radio Symphony Orchestra and Daniel Harding.

 

The Kuwait-born German bass Tareq Nazmi began his stage career at the Bavarian State Opera’s Opera Studio, subsequently becoming a member of that company’s ensemble and singing such important roles as the Speaker in The Magic Flute, Publio in La clemenza di Tito, and Colline in La bohème. He starred as Bottom in A Midsummer Night´s Dream in a new staging by Damiano Michieletto at Vienna’s Theater an der Wien and debuted at the Salzburg Festival in 2016. Nazmi has toured Europe singing Pope Clement VII in Benvenuto Cellini in concert with Sir John Eliot Gardiner. His concert appearances also include the National Symphony Orchestra, the Orchestre de Paris, and the Deutsches Symphonie-Orchester. He has given recitals with pianist Gerold Huber in Munich, Cologne, Ingolstadt and at London’s prestigious Wigmore Hall.

Marc Korovich. Foto: Bo Söderström.

Chief conductor of the Jeune Choeur de Paris, he started a collaboration with the SWR Vokalensemble Stuttgart in 2013 (including a recording of Ravel’s Daphnis et Chloé), and also works regularly with the Chœur de Radio-France and the Choeur Accentus since 2014, for tours, radio performances, recordings, preparations and A Cappella concerts. He collaborates with many personalities, such as Sir Simon Rattle, Gustavo Dudamel, Daniele Gatti, Louis Langrée, Stéphane Denève, Daniel Harding, Laurence Equilbey, L. G. Alarcon… He has also conducted the WDR Rundfunkchor in 2016. In July 2016, he has prepared both the SWR Vokalensemble Stuttgart and the NDR Chor for Berlioz’s Romeo et Juliette. In 2017, he has participate to the opening of the Seine Musical conducting the choir accentus and in 2018, he starts a collaboration with the Croatian Radio Choir. Korovitch works for many festivals: the Mozartwoche in Salzburg, Recontres Musicales d’Evian, the Festival de Radio-France in Montpellier or the festival Mozart in New York.

Approximate concert lenght: 2 hours 15 min including intermission