Malin Broman & Friends

The Swedish Radio Symphony Orchestra’s Concertmaster, Malin Broman, leads some of our time’s top instrumentalists in Mendelssohn’s String Octet – and two world premieres by Britta Byström. Ink-wash on paper was inspired by artist Gunnel Wåhlstrand’s detailed images, which will be projected onto a screen during the concert. A Room of One’s Own was influenced by Virginia Woolf’s classic essay, and dedicated to Malin Broman. The piece is performed in the shape of a film in which Malin plays all eight parts herself.

Season 2021/2022
Date has passed
Berwaldhallen

In the spring of 2017, a big exhibition opens at the art gallery Magasin III in Stockholm, showing Gunnel Wåhlstrand’s photographically soft and unique ink-wash pieces on paper, with motives from her parents’ photo album. Music is important to Gunnel’s work. ‘These days, I go to every Mahler concert I can, and the thing I want most of all is my own chair on the choir balcony in the Swedish Radio concert hall Berwaldhallen. It’s become a bit of a drug,’ she says in an interview. She feels that she wants to thank the Swedish Radio Symphony Orchestra’s Concertmaster, Malin Broman, and invites her to a personal viewing of the exhibition. Malin brings along her friend, composer Britta Byström, and a seed starts growing; the trio want to collaborate.

Seven images in chronological order appeal to Britta Byström, who has approached both art and artistry in her music before. She names her new piece Ink-Wash on paper after Gunnel Wåhlstrand’s ink technique.

Three years later, a virus has swaddled cultural life in a thick, contour-less blanket of snow. But below it, things are growing. People sing a cappella with themselves, and ballet dancers in lockdown turn the dinner washing-up into choreography. A video of Malin Broman playing the Presto movement from Felix Mendelssohn’s String Octet by herself spreads on social media. Four violin parts, two viola, and two cello – eight different parts that Malin plays with herself. This lonely work awakens something in Malin that she wants more of. She calls Britta Byström.

Byström thinks of Virginia Woolf’s words in the essay A Room of One’s Own from 1929, about how women need their own spaces to be able to create. Britta says that that space for her is about ‘the magical moments that appear in the artistic process.’ A Room of One’s Own becomes a piece that becomes a video, where Malin Broman plays the same instruments as in Mendelssohn’s Octet, and whistles and sings Virginia Woolf’s words: ‘there is no gate, no lock, no bolt that you can set upon the freedom of my mind.’

The video premieres now – while Malin is accompanied on stage by seven musician friends to perform Mendelssohn’s whole octet together, live.

Janna Vettergren

More concerts

  • 10 december

    Retrospective: Salonen

    Esa-Pekka Salonen has been given free rein in this concert where boundaries are blurred both between then and now and between genres.
    Read more
  • Few seats remaining
    12–13 December
    170 - 560 kr

    Bach's Christmas Oratorio part 1–3

    Heavenly choirs, blaring trumpets and thundering timpani! Experience a grand and heartfelt Christmas atmosphere when the 100-year-old Radio Choir rounds off its anniversary year together with the Swedish Radio Symphony Orchestra.
    Read more & tickets
  • No tickets left
    17–19 December
    130 - 475 kr

    Christmas Concert 2025

    At Berwaldhallen, Christmas is celebrated with the Swedish Radio Symphony Orchestra and the Swedish Radio Choir, who, together with conductor Anna-Maria Helsing and trumpeter Ellinor Bengtson present an atmospheric selection of classical Christmas music.
    Read more
  • No tickets left
    21 December
    130 - 475 kr

    Nils Landgren Christmas with My Friends 2025

    No Christmas without Nils Landgren and friends at Berwaldhallen! This year as a tour finale with a new album in tow; Christmas with My Friends IX.
    Read more