BALTIC SEA FESTIVAL AUG 26
TALK 18.00 – Berta Tilmantaitė (LT) in conversation with Justė Janulytė (LT)
CONCERT 19.00 – THE MERMAID
The theme of the third day of the festival is the story of the environment. H C Andersen’s beloved story The Little Mermaid is musically and imaginatively interpreted by Alexander Zemlinsky. World-famous cellist Truls Mørk will visit the Berwaldhallen Hall several times this season, but this will be the first, where he’ll perform Ernest Bloch’s beautiful, Hebrew rhapsody, Schelomo. The ocean theme is completed by Debussy’s billowing La Mer. From Vilnius, two young, Lithuanian story-tellers – composer Justė Janulytė and adventure journalist Berta Tilmantaitė – will talk about artistic story-telling, about nature and the environment, led by Swedish Radio’s Fredrik Wadström.
Composer, educator and conductor Alexander Zemlinsky is perhaps best known posthumously as Schönberg’s and Korngold’s teacher, but in recent decades his music has experienced a renaissance, not least regarding his Die Seejungfrau (The Mermaid) based on H.C. Andersen’ story. Zemlinsky initially called his work a symphonic poem, but abandoned the idea of a clear narrative and at the première in 1905, the work was given the title “Fantasy for Orchestra”. In The Mermaid, Zemlinsky created delectable, colourful and atmospheric music, and it is not difficult to understand why the piece is now played regularly in concert halls around the world.
Klaus Mäkelä has been the first guest conductor of the Swedish Radio Symphony Orchestra since the autumn of 2018. However, he began his career as a cellist and the cello plays a leading role in this concert, where one of the world’s leading cellists, Truls Mørk, performs Ernest Bloch’s Hebrew rhapsody, Schelomo. The origin of the work dates from the beginning of the First World War when Bloch, who was of Jewish origin, in his desperation at humanity’s wickedness turned to Ecclesiastes in the Old Testament. He started to outline a work for voice and orchestra but realized that the languages in which he was proficient did not suit what he wanted to express. Then he heard the cellist Aleksandr Barjanskij at a concert and realized that here was the “voice” he had been searching for: that of the cello. Bloch named the work Schelomo, the Hebrew name for the King of Israel, Solomon, who according to legend wrote Ecclesiastes.
Claude Debussy did not grow up by the sea, but in a Paris suburb, however his memories of childhood summers spent on the French south coast were extremely vivid to him even as an adult, and his love of the sea persisted throughout his entire life. “Symphonic sketches”, as he called La Mer, premièred in 1905, the same year as Zemlinsky’s The Mermaid. Debussy uses the orchestra in an innovative way with unusual instrument combinations, and he creates distinctive melodic figures and a shimmering, sonorous abundance of sound gaining inspiration from Javanese music, amongst other things. One of the first people to write a biography of Debussy, music researcher Edward Lockspeiser, aptly commented about La Mer that “we are moving from the 19th century to the 20th century in this music”. Many argue that Debussy’s composition, along with Stravinsky’s The Rite of Spring, should be considered one of the seminal works of musical modernism.
Text: Axel Lindhe
The Swedish Radio Symphony Orchestra serves as a symphony orchestra for the whole of Sweden. Regardless of where you live you can listen to the orchestra’s concerts through the Swedish Radio’s broadcasts or on their website, and several concerts are also shown on Swedish Television. The Swedish Radio Symphony Orchestra is one of the best and most versatile orchestras in Europe – perhaps even in the world. Every year they perform well-loved works from the classical repertoire as well as new music by exciting contemporary composers such as Victoria Borisova-Ollas, Magnus Lindberg and Unsuk Chin. In addition they perform music from popular films and computer and video games and collaborate with leading jazz, pop and rock artists in a constant endeavour to develop and to break new ground.
Since autumn 2018, the rising star Klaus Mäkelä has been the first guest conductor for the Swedish Radio Symphony Orchestra. He made his debut with the orchestra in September 2017 with Sibelius’s Symphony No. 7. “Every time I am here, the orchestra makes me feel at home”, Mäkelä says. “It’s always a pleasure to perform here. From the very start, there is always a very high standard and it just gets better, which is very inspiring.” In a short time, Mäkelä has had a tremendous impact at home in Finland as well as around Europe. In the autumn of 2017, he made his debut as an opera conductor with The Magic Flute at the Finnish National Opera, where he will soon assist Esa-Pekka Salonen in a production of Wagner’s Der Ring des Nibelunge, which will continue until spring 2021. In the autumn of 2020, he will take up the position as Chief Conductor for the Oslo Philharmonic and he is also Artist in Association at the Tapiola Sinfonietta and Artistic Director of the Turku Music Festival. Mäkelä is also an award-winning cellist who has performed as concert soloist as well as chamber musician, and he plays a Giovanni Grancino from 1698 on loan from the OP Art Foundation.
With a combination of artistic integrity, intensity and elegance, the cellist Truls Mørk has played his way to the very top as a soloist. He performs with the foremost orchestras around the world and has recently performed with the San Francisco Symphony Orchestra, Gewandhaus Orchester Leipzig, Orchestre de Paris and Tonhalle Orchester Zurich, to mention but a few. Mørk has recorded the great solo concerts of Dvořák and Elgar, as well as Britten and Shostakovich, and also the collective Cello Suites of both Bach and Britten. He has also begun touring with the pianist Behzod Abduraimov. Mørk is dedicated to contemporary music and has performed more than 30 works, such as Krzysztof Penderecki’s Concerto for Three Cellos, Hafliði Hallgrímsson’s Cello Concerto and Einojuhani Rautavaara’s Towards the Horizon.
Janulytė has been hailed one of Europe’s most prodigious young composers. Her award-winning music typically features only one type of instrument, producing long, slow, gradual transformations in texture and register. This unique approach sucks time into itself, making it feel both flitting and eternal. Justė Janulytė first came into public view in 2004 when her graduation work was awarded as the best chamber piece of the year by the Lithuanian Composers’ Union. In 2009 she won the 1st prize (in the category of composers under 30) at the International Rostrum of Composers in Paris. In 2011 she was awarded the Young Artist’s Prize by the Lithuanian Ministry of Culture and in 2017 the Lithuanian National Arts and Culture Prize, the highest artistic distinction in Lithuania. The majority of her works, written for dense monochromatic ensembles (only strings, only winds or only voices), explore musical time/space perception through large-scale multilayered textures and extremely gradual metamorphoses. Justė Janulytė currently teaches composition at the Lithuanian Academy of Music and Theatre, lives between Vilnius and Milan.
Berta Tilmantaite is a Lithuanian award-winning multimedia journalist, photographer and videographer. Her visual stories from different parts of the world often emphasis the connection between human and nature. Berta has BA in Journalism from Vilnius University (Lithuania), also took a course in Photojournalism at Danish School of Media and Journalism. She holds MA in International Multimedia Journalism (University of Bolton/Beijing Foreign Studies University). Currently Berta works as a freelance multimedia journalist and photographer. She is, together with Artūras Morozovas, founder of multimedia production studio Nanook, focusing on digital storytelling and exploring social, environmental, cultural and other contemporary issues. Her work has been published all over the world, in websites and magazines such as National Geographic, Al Jazeera, Geographical, GEO, Rhythms Monthly, China Green, China daily, and others. She also occasionally lectures at Vilnius University and VGT University in Vilnius, Lithuania.
Concert length: 2 hours 10 minutes (incl. interval)
The arena for the talk in Vilnius is not decided yet.
BALTIC SEA FESTIVAL TALK 18.00 – 18.45, Berwaldhallen, livestreamed from Vilnius
Justė Janulytė (LT) in conversation with Berta Tilmantaitė (LT).
The evening’s conversation is live-streamed from Vilnius, where Sweden’s Radio’s Fredrik Wadström talks to two young Latvians in a meeting of music, journalism and story-telling. Can we use artistic story-telling to achieve a positive development on the climate issue – such as the Baltic Sea’s environmental problems? Justė Janulytė is one of Europe’s brightest composer stars. There is a tangible connection to nature in her music, both in theme and form, such as in Observations of Clouds, and the Colour of Water. Justė Janulytė meets multi-award-winning multimedia journalist Berta Tilmantaitė, whose stories from across the world tell us of the relationship between man and nature, about social and cultural issues. Berta Tilmantaitė is one of the founders of Latvian story-telling bureau Nanook, whose goal and purpose is to use story-telling to inspire, challenge and encourage action and change.