Fröst, Salonen and Nordin

During the performance of Emerging from Currents and Waves, the roles of Martin Fröst and Esa-Pekka Salonen will be expanded through the use of Jesper Nordin’s invention, the Gestrument (Gesture Instrument), a digital composition tool and motion-based instrument. In addition to being the soloist and conductor respectively, they will control the virtual orchestra and the interactive lighting installation that is suspended above the stage. Using advanced technology and stage design, everything that happens electronically is visualized in real time. The concert will be livestreamed on the web.

Details
Date has passed
1 h 20 min

When you stand very close to something that is transforming, or when you are in the middle of a process, you are rarely able to predict where it will lead. You might be able to imagine some of the implications, but you will not know for sure until afterwards. The emergence of social media, virtual reality and artificial intelligence is changing not only our culture, but our entire society, and those of us who exist in the midst of that process have limited possibilities to predict the outcome.

The amazing thing about art is that you can ask questions and conjure up visions at the same time. Where is art heading? Can the seemingly endless possibilities of technology also be a bridge to the depth of tradition? In what ways will art, artistic expression and the opportunities for practising it, be affected by new technology? Will the potential birth of artificial intelligence be as large an evolutionary leap as life emerging from the oceans?

This is what Jesper Nordin himself writes about Emerging from Currents and Waves, which is part of a larger collaboration between Nordin, Fröst and Salonen where they explore the interaction between man, music and technology in a variety of contexts.

The innovative composition and improvisation tool, Gestrument, was originally invented by Jesper Nordin for his own composing. When universities and conservatories around the world became interested in it, he developed an app that anyone can download and use. What is particular about the software is that it exists in the boundary between an instrument and a composition, and likewise between what and how much we can control in a digital environment, and what we relinquish once we have established the rules.

The software is pre-set using what Nordin himself calls the “musical DNA”: rhythms, scales, melodies and sounds. Based on those parameters, the Gestrument can then be played, like an instrument. In parts of the piece, the Swedish Radio Symphony Orchestra will be recorded in real time, sampled, and then played back using motion sensors – also controlled from the podium by Esa-Pekka Salonen. In addition to the coupling of acoustic and digital instruments, there is also a profound encounter between different art forms. Martin Fröst’s movements, when he plays the Gestrument, have been developed by a choreographer and with the help of a stage designer and a visual programmer, everything that happens electronically is portrayed in real time in the interactive installation.

Emerging from Currents and Waves is a work commissioned by the Swedish Radio Symphony Orchestra, IRCAM and the French Radio Philharmonic Orchestra and was written specially by Jesper Nordin for Martin Fröst and Esa-Pekka Salonen.

No bus to Berwaldhallen from Stockholm City –
Busline 69 is shortened and runs Karlaplan – Kaknästornet / Blockhusudden. For more information, please visit www.sl.se/en/

FESTIVAL OFFER (Östersjöklippet)
With the Baltic Sea Festival Offer (Östersjöklippet), you get three different levels at a discount – 10, 15 and 20% off the regular fare depending on whether you buy three, four or five different concerts at the same time.
TO ’ÖSTERSJÖKLIPPET’

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